Alex Braun's Magic Paintbrush

From the Illustrators Division

Wanted to point your attention to a new up-and-comer I found on Twitter, then had the pleasure of meeting briefly at Lightbox: Alex Braun.

It was the gecko archer that initially caught my eye and I had to see more, and BOY was there more. I love the DnD world he's building out, the dinosaurs, the colors and rendering. I think he found a magic paintbrush or something, becasue his work is beautiful. Good stuff. Keep an eye on this guy.

Website: LINK

Twitter: LINK

Instagram: LINK

-Jake

DWJ's Grungergetic Vader Short Story

From the Comics Division

Possibly my favorite creator from the last 10 years, Chicago based comic artist Daniel Warren Johnson is getting tons of heat (the good kind) right now because of his Transformers book that he's doing for Image/Skybound.

We are just one issue into the Transformers story, and it is dynamite already, like ALL of DWJ's books, but I wanted to direct your attention to a short comic that might have missed your gaze: "Annihilated" from the Darth Vader: Black, White, and Red series that came out earlier this year.

Felix Comic Art posted the original scans from DWJ's story on Twitter, and it's a great tribute to the greatest villain in Star Wars.

DWJ does artisanal comics which means they look just as good (if not better) as raw scans versus fully colored and printed.

You can see more of Daniel's work on his website: LINK

Youtube: LINK

IG: LINK

-Jake​

Expired Mansions​

​From the Architecture Desk

I found this incredible photo album on Flickr of abandoned mansions and castles around Europe. They are the work of photographer Benjamin Wiessner. There's not much online about this guy that I could find in a cursory search, but there's plenty of photos of vacant, decrepit buildings and awe inducing locations attributed to him.

I love urban (and in this case sub-urban) exploration. Creeping through abandoned places, piecing together why these ghost homes were vacated fills my mind with stories and things I want to draw. When I can't do it in person, I live vicariously through people like Wiessner who generously share the wonders they see with us.

Check out 75 more expired mansions in his Flickr album here: LINK

-Jake

Disney Lorcana

From the Special Projects Unit

For the last couple years I've been working on a bunch of Disney illustrations for their new card game Lorcana.

This project has repeatedly taken me out of my comfort zone. To the point that I don't know why I was contacted in the first place. Sometimes, I wondered why I agreed to this job!

As you know, I don't typically paint my art, I just slap cell-shade style color on everything and call it good.

However, I've been learning SO MUCH from looking at everything the other Lorcana artists have made over the last couple years I've been doing these. I've also gotten a lot of great direction from the art directors.

I guess that's why I said yes to this, I wanted to be pushed out of my comfort zone and do work that made me scared.

These are the first 5 that have been revealed and there's more to come!

Disney Locana: LINK

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PATREON: If you want to see ALL the sketches, reference material, and prelim drawings I'm doing that go into the creation of drawings like these, become a patron today.

If you sign up this month I'll give you any of my digital artbooks of your choice. Just DM after sign up and I'll send you a download link.

You also get a 15% discount in my shop, and at the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK

-Jake

On content creation

From the Inspirational Thought Unit

You are an artist who makes art, a storyteller who tells stories, NOT a "content creator."

“Content creator neatly accomplishes two things at once: It lets people who make garbage think they’re making art, and tells people who make art that they’re making garbage."

-Jason Bailey

Pulled this quote from this hammer of an opinion piece: LINK

Also, if you want a comprehensive in depth dive on "content" one of my favorite youtubers went hard on this: LINK

-Jake

The ROBOX BASIC

From the Office of Robots

Cool robot designed by the late Kim Jun Gi and made by 1000Toys. These came out about 5 years ago I believe, but I just found out about them recently. Love the tranformability of them, and the utilitarian design.

More images here: LINK

-Jake

Search for the Eagle's Eye

​From the Illustrators Division

Cool new book alert. I love indie book projects, especially the world building kind that's going on with Search for the Eagle's Eye.

This is by Arizona based artist Tate Parker, who, if the last name wasn't a give away, is my son.

He was in California for a couple years doing missionary work and carried this little sketchbook with him everywhere he went. He'd do drawings in it inspired by what he saw and was doing. The result was this epic adventure of three kids as they search for the Eagle's Eye.

I love how raw and honest the book turned out. Tate's an empathetic Gen Z storyteller that makes me excited for this new generation of creators.

You can pre-order the book here: LINK

Tate's Instagram: LINK

-Jake

Lost in Somnia

From the Special Projects Unit

Have you ever had a dream where you’re lying comfortably in your bed and then the next moment falling over a city? It’s happened to me a couple times and I always wake up with my heart pounding!

For this year’s Inktober challenge I’m wanted to try answer the question: what if you don’t wake up from the falling dream? What happens next?!

This is my 15th Inktober challenge, and every time (whether I complete it or not) I get pushed just beyond my ability and comfort, AND I seem to get better at drawing.

I guess that’s why I keep coming back to it.

With that, here's my first 16 drawings for the year:

Day 1 - DREAM

Day 2 - SPIDERS

Instead of waking up from the dream, the boy’s fall was broken by a loose web stretching between the derelict buildings. It looked as if the city’s inhabitants had vanished years ago. He was not looking forward to meeting its new citizens.

Day 3 - PATH

The boy wriggled free from the webbing, and dove into a hole in the ground to escape the oncoming spiders. The dark tunnel widened and opened up to a lighted path underground.

Day 4 - DODGE

The bikers rode sharp and fast as they dodged around the boy and skidded to a halt. One in front and one in back, these were the first humans he saw since landing in the foreign city. Something about their dead eyes made him more afraid than the spiders.

Day 5 - MAP

Something about the boy demanded protection rather than predation. The bikers knew exatly where to take him.

Guided by these unlikely saviors, the boy found himself standing before the Underseer in a chamber aglow with surface light. Here, the Underseer, a figure of enigmatic authority, bestowed upon the boy a truth as profound as it was unsettling.

"Without the map," the Underseer said, "you shall remain forever adrift in this dream world, a ship without a star to steer by."

Day 6 - GOLDEN

The deal was struck with an unspoken weight that hung heavily in the chamber of light.

"I shall give you the map," the Underseer said, his voice echoing through the chamber like a distant thunder. "But in return, you must retrieve something of great importance to me. In the belly of the Temple of the Golden Sun, lies a sacred artifact—The Star Crystal. Bring it back to me, and you shall have your passage out of this underworld. Your path homeward will be revealed."

Day 7 - DRIP

The chamber was a place of profound stillness, save for the haunting drip of condensation that echoed through the air. As the boy’s fingers closed around the Star Crystal, he felt a shiver of otherworldly power coursing through him. The crystal was cold to the touch, as if it held the very essence of the cosmos within its core.

Day 8 - TOAD

As the boy hurried out of the temple, clutching the Star Crystal tightly, a question nagged at him. Why had the Underseer not retrieved it himself?

Day 9 - BOUNCE

The toad monster's monstrous bulk belied its deceptively swift and nimble nature. Determined to escape its attacks, the boy darted into the labyrinth of the underworld. The toad gave chase, each crushing bounce closing the gap between them with alarming speed.

I realized after I finished inking that the proportions were off on the boy, so I went in with correction tape and tried to fix it. Still not happy with the pose/proportions. Finished, not perfect, right?

Day 10 - Fortune

Just as the boy felt the monstrous toad's noxious breath and gaping jaws closing in on him, a turn of fortune appeared in the form of a girl swooping in with breathtaking speed on the back of a jet-powered beetle.

Day 11 - WANDER

The Underseer's promise of the map was just a lie laid bare by the danger the boy escaped. She flew him out of the underworld, beyond the fallen city, to wander lands safe from the treachery of the Underseer and his malevolent forces.

There, the two of them hatched a plan to return the Star Crystal to its rightful place, knowing that it was essential not just for the boy's escape but also for the stability of this dream world itself. In the process the two's hearts became intertwined with a shared sense of purpose and destiny.

Day 12 - SPICY

The boy and the girl observed the strange passage of time, which seemed to move faster and differently in this realm. Days turned into years, and it felt as if they had known each other for a lifetime. The memories of the boy's home, once vivid and urgent, began to fade like a distant, forgotten story.

The importance of the Star Crystal started to diminish in their eyes. It was tucked away safe on the hidden island where they had carved out a life together.

Day 13 - RISE

Watching the moon rise over the sea the two found a sanctuary in each other's arms that they never wanted to leave. However an unspoken reality lingered in the air. The enemies that had haunted their journey through the dream world were not to be underestimated, and their thirst for power and control would not wane with the passing of time.

Day 14 - CASTLE

As the urgent transmission crackled through the girl's radio, a sense of foreboding gripped the boy and the girl. The call summoned her to the Sky Castle; a place she had vowed never to return to. But her commitment to that old promise dissolved when she learned why she was needed. The voice of her mother was faint but heavy, "The world is collapsing, we need the Star Crystal."

Day 15 - DAGGER

With each strike of her dagger, the girl carved a path through the assailants as the boy shielded the Star Crystal. The crystal, pulsing with an otherworld energy would find safekeeping with the Castle's Monarch. The only question remained was how the Underseer knew to send a wake of Sun Walkers to the Sky Castle first.

I couldn’t quite get this finished yesterday, so I’m officially behind! Good run though. I think this is the best I’ve done on Inktober in a while.

Day 16 & 17 - ANGEL & DEMON

My plan, as always, is to stay on top of the challenge this year and do all 31 days. If anyone has been following my posts you'll see I've fallen behind this week. Life got in the way and I haven't been able to do it the last 3 days.

I might catch up, or I might have to come back to this later, not sure how I'm going to fit in the time to finish this AND go to Los Angeles next week for Lightbox. We shall see!

-Jake

On the trajectory

From the Inspirational Thought Unit

I think the worst thing you can do as an artist is day trade in your creativity. You know, it's where you measure your success by how well you did each day.

Studies have shown that 95% of people who day trade stocks lose money in the long run. They're so focused on day-to-day fluctuations of the market that they lose sight of the bigger picture and don't notice whether their decisions are trending down or up.

The smartest investors are the ones who make consistent deposits in a portfolio of stocks, and then forget about it. Only checking once a quarter, every six months, or annually. If something didn't perform as well as they liked, they make adjustments.

Whether they are up or down on any given day doesn't concern them. It's the trajectory that matters.

It's the same for people who create. By only paying attention to whether you're having a bad day or a good day, a productive day, or a slacker day, you might lose sight of the bigger picture.

Instead, make consistent creative deposits and forget about it. Whether you made something amazing or forgettable today isn't important. What's really matters is that you showed up and did something.

Then, each quarter, six month mark, or annually take stock of your trajectory. Did you finish X amount of projects? Do the drawings you make now look better than the drawings you made last year? Are you landing the jobs that fit your skillset?

Whether they are up or down on any given day shouldn't concern you. It's the trajectory that matters.

-Jake

The Primary Color World of Linzaoyu

From the Illustrators Division

I'm just so charmed by these colorful, dreamlike, and enchanting drawings by Japanese artist Linzaoyu.

I would love to see this in an oversized coffee table book, with some kind of narrative in the margins. Seems like there's way more going on in these images than what the pictures show us.

Very little info about the artist online. They're mostly active on instagram. Check out A LOT more of this kind of thing there: LINK

-Jake​

The Coin Auctioneer

From the Department of Interesting Collections

I've always had a fascination with money design. I would examine all the coins and dollars I could get my hands on as a kid, checking the dates and seeing if a coin was on this earth longer than I had been (which was easier to find the first 20 years of my life as it is now). I loved the artistry on display of the secret symbols, solemn compositions, and ornate carving work. I even designed a few of my own dollar bills once for fun.

To this day I can't hold a coin in my hand without checking the date on it. So when I see coin collections like this I'm just captivated by the history, craftsmanship, and humanity of these little tokens. You can learn just about everything you need to know about a culture or institution by what they put on their coins. Each one of these is a time capsule, revealing a world on it's two sides.

These were all pulled from this one instagram account which is a nice follow if you're into this stuff. Curated by British coin expert Dominic Chorney, you'll get a nice nugget of history and wonder with each post.

See more here: LINK

-Jake​

The Fab Lab

​From the Architecture Desk

The Fab Lab is a maker space and studio office for Roth Architecture located in the Yucatán peninsula. Designed to look like it organically grew out of the jungle, this place looks more like an alien home than an office space.

Tons more photos and info here: LINK

Roth Architecture specializes in these kinds of buildings. Check out the rest of their projects here: LINK

-Jake​

Dream Quest by Alfred Liu

From the Illustrators Division

Australian artist Alfred Liu is a master of miniature marvels. There's enough detail and story happening in each of his intricate illustrations to fill a book.

Here's his artist's statement:

In the land of dreams, portals open and close leading to different times and places throughout the universe.

Karzelek monks travelling through the east to spread the holy word; the Ixian gate opens; adventurers, creatures and familiars make their way to distant lands. A wise cat rides a donkey helping all those he comes across or playing tricks on them.

As these portals fade, another opens and a mysterious red robed figure beckons you to come in.

RAD.

You can see more of his work over on his website: LINK

Instagram: LINK

And at the Outre Gallery who is hosting a show of his until September 17: LINK

-Jake​

Why Bill Watterson Vanished

From the Comics Division

I found a fascinating read about why Watterson retired, never to return (in a real way) to the medium of comics.

The article was some retread of the story I already know, about how the constant battles with the syndicate he signed on with for creative control and autonomy. However, the article shed some light on a few blind spots for me, specifically what he was like in college and the years in between graduation and CandH. And also the absolute GRIND is was to do Calvin and Hobbes at the level he was doing it for a decade.

I remember when Bill Watterson retired from Calvin and Hobbes. I was 17 or 18 years old and I just KNEW he was cooking up a project that was even better than Calvin and Hobbes to share with the world in a few years.

Well, those years came and went, and for almost 30 years I never quite forgave him for just dipping out (even though he left us with the most wonderful comic strip ever created).

This article gave me some closure and empathy for the guy. I get it, Bill. Live your life.

Read the whole article here: LINK

-Jake​

Above the Clouds Postman

​From the Film and Animation Division

This is some pre-production art for this rad little short about a couple girls who deliver mail by air.

It's just a 3 minute animation test for a possible anime series. There's not a lot of information online about who made this. It just kind of popped up one day. I really hope they get the funding or whatever they need to flesh this world out some more.

Watch the short here: LINK

(via @Catsuka)

-Jake

The Dragon and the Robot

From the Special Projects Unit

Drew this dragon and robot last night for the livestream. Took a lot of great questions and talked about what you should focus on in highschool as an artist, reasons you should have a table at a convention. Plus you get to hear my wife's voice as she reacts to the comments section.

You can watch it here: LINK

🔴Next livestream is this afternoon: LINK

-Jake​

Pictionary Sketchbook Edition!

From the Special Projects Unit

PICTIONARY SKETCHBOOK X INKTOBER EDITION! A new way to play Pictionary.

When Pictionary first came out I was a 10-year-old who LOVED to draw, so when I played it for the first time it seemed like a board game designed specifically for me, a kid who was better at expressing myself through art than words.

Ironically, I always made my team lose because I spent too much time drawing overly detailed pictures! And...it's still true to this day, haha. My family always gets frustrated when it's my turn because I can't keep myself from add ing too much detail and running out the clock.

Now I can’t believe there’s an official Pictionary game with my art all over it!

It’s available TODAY at MattelCreations.com!

It was such an honor to work with the skilled team at Mattel to make this thing a reality.

We put together a bunch of artwork I had made over the years for the Inktober challenge and collected them all in a kind of "greatest hits" sketchbook. I even made an entirely new drawing for it (above).

I hope you are able to pick up a copy. I played it with my family and we had a blast. Maybe even too much fun, haha.

Order here: LINK

-Jake

The 10 Greatest Robot Designs in Pop Culture

The following list is what I consider the 10 best robot designs ever. I base this according to 3 factors:

  • Aesthetics. Is the design visually appealing?

  • Functionality. Is the design mechanically sound, or does it look mechanically sound?

  • Cultural significance. Has the design influenced other mech designs, or pop culture to a significant degree? Or is the design the pinnacle of other mech designs before it?

There's a lot of robots that didn't quite make the cut that I love dearly. What it came down to is how much I felt they exemplified those three criteria. And if any of them scored a little lower in one area I had to sideline them for a better robot. With that, let's get to the list, starting with number 10!


10) Johnny 5

Designed by Syd Mead this was the first truly functional looking robot I remember seeing as a kid, and not just some guy in a suit. He's so iconic, Pixar couldn't help but make a smaller, cuter version for their Wall-e design.


9) The Iron Giant

I love this design because it takes all of the robot designs from the golden age of Sci-fi and makes a perfect symbol of them all. Plus it's incredible how much expression and character they were able to achieve with so few moving parts.

The Iron Giant was designed by filmmaker Joe Johnston, which was refined by production designer Mark Whiting and Steve Markowski, head animator for the Giant.


8) District 9 Exosuit

I love this design because it's got alien vibes, but made with familiar looking technology, though it's weapon systems are anything but terrestrial.

Designed for the District 9 movie by Weta Designer Greg Broadmore.


7) Eva Unit 01

Designed by Ikuto Yamashita this thing wrinkled my brain when I first saw it. It was like a perfect evolutionary jump from the Japanese mech designs of the 80s.


6) Canti from FLCL

Canti's retro futuristic design so aligned with my sensibilities when I first saw FLCL in the early 2000s that I thought, this is the most beautiful robot ever designed. I think he's my favorite of the bunch here...but I couldn't move him farther up the list because he's scores lower on the influential scale.

Not sure who designed him, so I'll credit FLCLs creator: Kazuya Tsurumaki


5) AT-ST

Between the AT-AT and the AT-ST I thin this design is just better. We caught a glimpse of it in Empire Strikes Back, but would not get to see it in full action until three years later when Return of the Jedi came out. This is hands down, the best walker robot design ever made.

Designed by ILM and Nilo Rodis Jamero


4) K2SO​

Standing on the shoulders of giants, the artists at ILM created a new classic with K2SO. A droid design that I think captures all the essence of previous Star Wars droids, imbues it with some contemporary shapes and proportions, and makes it what I think is the best robot in Star Wars.

Designed by the ILM art Department. Too many contributors to list here.


3) VF-1 Valkyrie

The VF-1 Valkyrie from Macross/Robotech was Designed by Shōji Kawamori and if this design doesn't reserve him a spot in heaven...then I don't know what to say.

I could write a novel about this design, but I'll just say this: It's a futuristic F-14 that transforms into not one, but two robots.


2) Voltron

Voltron was my FIRST robot crush. I watched the tv show faithfully. What makes this so awesome is that if it was just a team of FIVE giant robot lions that fought space beasts, I would've been completely satisfied...but no. Those lion bots combine to form a giant humanoid robot WITH a sword.

Perfection.

Designed by Takayuki Masuo, Yoshiro Harada


1) RX-78-2 Gundam

And this is it, the number one greatest robot design. I'll admit I'm not a huge Gundam Fan, I like it just as much as the next guy...but I can not deny its cultural impact, it's aesthetic appeal, and the care taken to fully flesh out the engineering of these things to the point of building an ACTUAL 1 to 1 size Gundam.

Designed by Kunio Okawara.

That’s my list. Of course, just as important as what was put on the list is why certain robots were left off the list. A few close runners up were Optimus Prime, Cherno Alpha, and the AT-AT. If there’s any that you think definitely should’ve been on this list, let me know which ones and why!

-Jake

On the secret

From the Inspirational Thought Unit

A friend of mine shared this with me recently at just the right time. I've been frustrated that I have to do all this client work along with all of my commitments to SVSlearn to pay the bills. When really I'd love to have the freedom to just clear my plate of all of that to work on a comic book that may or may not make any money.

It was a reminder that working on it an hour at a time may not seem like much, but it's far and away better than it languishing in my imagination while I wait around for a wide open schedule.

I knew this once! I just needed it to smack me in the back of the head again and say "do it!"

(via @dankoe)

-Jake

The Wild Diversity of Marine Worms

From the Flora and Fauna Unit

I found this fascinating collection of worm photographs deep in the depths of Behance. They're taken by Russian photographer Alexander Semenov who specializes in underwater photography.

These things spark my imagination but also give me major creeps. I'm not quite sure if these rainbow skinned freaks will guide me to Valhalla or crawl into my ears and eat my brain. So...they're perfect.

More here: LINK

Semenov's portfolio: LINK

-Jake​