On friendships

From the Inspirational Thought Unit

Here’s something I’ve been thinking about:

I'm always wondering how best to expose myself to interesting and different experiences (which is hard for a guy who sits in a studio for 40+ hours a week) and how best to fill the creative bank account that each of us carries with us.

Whether you want to tell stories, draw pictures, write music, create new technology, the things we make are molded and shaped by our experiences. It seems like the more diverse and broad your experiences are the better chance you have to connect things that other people haven't thought to connect.

Or to put it differently: the more diverse and broad your experiences are the better chance you have to help people that other people haven't thought to help.

So here's an idea to help expand your experience landscape:

You should try and have a good friend* who was born in each decade over a span of 8 or 9 decades. Not sure how to word that better.

So like, have a friend who’s under 10, a friend in their teens, a friend in their 20’s, 30’s 40’s 50’s 60’s 70’s and 80’s.

Granted I know that gets a little weird for the under 20 crowd, but something like a parent approved mentorship, or visits with a young relative would count.

The idea is that you are exposed to a lot more different thinking and experience than if you just hang out with people your age. The effect might be a richer, broader understanding of humanity.

This idea was inspired by my wife Alison who has a few pen pals who are under 10 years old, a couple of girls she mentors who are in their early 20's, good friends in their 30's and 40's, a friend who she goes to lunch with when she's in town who is in her late 50's, a neighbor in her 80's who she trades books with, and an out of state friend in her 90's who she brings flowers to every time she's in town.

Because of this Alison just always has a great perspective on things when I talk to her about stuff.

I think there might be something to this. I'm going to try to work on it this year.

​-Jake

French artist Alex Diboine

From the Illustrators Division

I've been following the work of French artist Alex Diboine for several years. He's kind of a genius at everything he draws. Characters, environments, color keys, even 3D models all have a deft proficiency about them that makes them look like he just busted them out while also looking well crafted and thought through. I hope to rise to his level some day. Super inspired.

Nicely curated Website: LINK

Instagram: LINK

Twitter: LINK

Lots of older stuff on his Tumblr: LINK

-Jake

How to Paint Like Miyazaki

From the Craft Mastery Special Unit

I found this nice write up about a recently translated pamphlet that show's Miyazaki's painting technique and tools.

I'd seen the pamphlet before in Japanese, which I don't read, and though it looked nice, but I missed all the charming self-deprecation Miyazaki is known for.

What's great about this is Miyazaki's tools and techniques are about eliminating friction and getting work done. Tools aren't the focus in his work, he just found something that gets the job done, and his technique never gets in the way of telling a story, or exhibiting a character's personality.

Read the full write up here: LINK

The second page there is concept art for a commercial Studio Ghibli did back in 2004 to pay the bills:

Watch the video here: LINK

-Jake

The Lost Art of Calculator Design

From the Industrial Design Desk

I'm becoming less and less enamored with rubbing glass all day.

I miss the big chunky buttons of the 80's. So, little by little I've been filling that void by replacing the sleek design of contemporary tech with the knobby buttons of my youth: LINK

When I found designer Shawn Hazen's personal collection of vintage calculators I was in button heaven. The Triumph-Adler Concorde 1 is a design masterpiece!

Lots more here: LINK

(Found via @AisleOne)

-Jake

The Transfer and the Messengers

From the Drawings Unit

I've been working on these pieces on and off over the last month or so. I felt like my portfolio needed some fresh art, and I want to add some cool prints to the shop this year.

I'm exploring style and color with these. With the Messengers illustration, I designed it to look good in a kid's playroom or bedroom, and the other I was inspired by Mobieus and the Vaporwave microgenre.

These are available in the shop now starting at $20: LINK

PATREON: The amount of support on my Patreon ebbs and flows, but always overs around 125-130 people. I'd like to get that up to 140 this month. If you sign up this month I'll give you any of my digital artbooks of your choice.

You also get a 15% discount in my shop, and at the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK

On what ifs

From the Inspirational Thought Unit

Do you ever find yourself playing the What If? game? It's a horrible game where you fantasize about the paths in life you didn't take. You ask yourself questions like:

"What if I had chosen a different major?"

"What if I had asked so-and-so out on a date?"

"What if I had started a youtube channel in 2009 instead of 2023?"

The problem with this is you get caught up in thinking patterns that aren't healthy for you, and ultimately waste your creative energy on something that won't benefit you.

I stumbled on a substack post by screenwriter John August where he suggests new rules for the "What If? Game:

  • Only ask What If? questions about the future. What If you now devoted yourself full-time to writing? Or, What If you stopped carrying this torch for screenwriting, and pursued something else you enjoyed? Which would make you happier?

  • Only think about the person you are today. A 20-year old has different options and challenges than a 49-year old. How much of your current life would you be willing to up-end?

  • Recognize assumptions. Don’t assume you know where a path would take you. Rather, ask whether traveling that path would be interesting and fulfilling.


Now THIS is a What If? game worth playing.

Read the rest of his post here: LINK

The Idyllic Illustrations and Comics of Sarah Webb

From the Illustrators Division

I'm currently lost in the the dense over growth of Sarah Webb's illustrations and comics. I found their work while researching inspiration for my Dusk Bunnies print and just fell in love with her organic style.

Webb currently works in the animation industry in Los Angeles, but is originally from Alaska, and I think you can see a lot of her upbringing in her work.

More here:

Current webcomic: LINK

Website: LINK

Instagram: LINK (No art, but a "personal visual journal")

Twitter: LINK

Tumblr: LINK

-Jake

The M-15 Belphegor is a Wild Cold War Civilian Aircraft

From the Office of Wings

If you've been following what I post here for very long you'll have figured out that I LOVE weird vehicles. Especially failed diesel-punk garbage like this agriculture jet designed in and for the Soviet Union.

The M-15 Belphegor was designed to be a more efficient and modern replacement for the Antonov An-2SKh. However, when they tested it out it was clunky to fly, expensive to operate, slow, and noisy. Consequently only 150 were manufactured out of the thousands that were initially ordered.

What I like about it is the unconventional design that makes it look like it's from Miyazaki's Nausicaa, Mad Max, or a B level sci-fi film.

More photos and back story here: LINK

-Jake

The Mecha Masterworks of Cut Transform Glue

From the Office of Scale Models

I'm impressed with the scale and creativity of these scratch built robots and spaceships by São Paulo based model maker Henrique Ventura.

He makes these things from spare printer parts, wood, and 3D printed components. Brilliant stuff.

More here:

Twitter: LINK

Youtube: LINK

-Jake

AI Art is the Symptom NOT the Problem

From the Department of Video Works

I made a video!

After my last AI video I felt like I didn't fully capture my thoughts so I wrote a short essay that summed up the my thoughts a lot better. I had some extra time in my schedule last week to make a video and threw this together.

I'm hoping this is the last AI video I feel compelled to make because I'd rather divert my attention to comics. But I did want to plant my flag on the topic in a satisfactory way before moving on.

You can watch it here: LINK

PATREON: One of the perks is you get to see my videos early, read my video scripts before I make the video, and give input on things as I make them. Also, every week I show patrons the process of at least one drawing. At the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK

-Jake

On the Anti-Library

From the Inspirational Thought Unit

I have a lot of books. I forget who said this...or even if this is how it was said, but it's how I feel about collecting books: your bookshelf should not be a collection of your accomplishments, but of your aspirations.

Have I read them all? No. I have flipped through them countless of times. They're little hotspots of inspiration. In an effort to remove myself from too much algorithmic influence I keep going back to my bookshelf (and the bookshelves of others) to find things that I wouldn't normally come across while on social media or doing a google search.

Last week I was introduced to the concept of an anti-library from this article: LINK

It was affirming:

I don't want to promote irresponsible consumerism of reading material, and I'm not suggesting you go out and buy a library wholesale, but if you see a book that looks cool and you can afford it, pick it up even if you know you aren't going to get to it right away. It'll be a reminder of what you don't yet know.

Steve Jobs said that creativity is just connecting dots. In order to connect them, first you have to collect them.

-Jake

The Globus INK, Soviet Gearpunk Tech

From the Department of Space Exploration

The Soviet space program used completely different controls and instruments from American spacecraft. One of the coolest of these instruments is the GLOBUS. This showed the cosmonauts their spacecrafts location above earth and it used some astonishingly sophisticated engineering do its job.

You see this isn't a digital computer here, "this navigation instrument was an electromechanical analog computer that used an elaborate system of gears, cams, and differentials to compute the spacecraft's position."

Wow.

this stuff just fires up my imagination. Who says digital computers are the way of the future? I imagine this thing is solar flare proof, doesn't lose information if the power goes out, and just looks sturdy as heck. Makes me rethink what kind of tech I want to use in my sci-fi comics.

More photos and information here: LINK

(Kind of cool: Scroll to the bottom to see a comment by "Unknown" who says he has a working Globus in his collection with a link to a photo. Followed the link to find out it's Steve Jurvetson's Flickr account. Jurvetson is on the board of Spacex and is a huge space nut.)

-Jake

Surreal symbolic art of Helvetica Blanc

From the Illustrators Division

Gosh, I just love the work of Helvetica Blanc. Based in the Pacific Northwest, with a back ground in graphic design, Helvetica is "an artist exploring mysticism, the subconscious, and worldbuilding with an emphasis on form and texture."

The compositions, shapes, textures, and colors hint to an unknown world of iconography that feels familiar but altogether alien. Like, if we discovered a long dead civilization on Pluto and all we had left were their statues and art, I feel like it would look something like this.

More here:

Website: LINK

Twitter: LINK

Prints: LINK

-Jake

The Homes and Studios of Famous Artists

From the Cultural Archives Concern

Photographer Isabelle Baldwin has curated and impressive image thread of the homes and studios of famous artists. The spaces range from ostentatious to austere, flamboyant to quaint, but there's one thing that they all have in common is personality.

The spaces are filled with furniture, art, and objects that are each little flourishes of individuality that tell you the people living there have their own vision. It seems like many of the items they've collected where rescued from the side of the road or collected from roadside antique shops and given a second life as a work of art to be sat upon, read the newspaper over, or just to add character to the space.

These spaces feel like they were designed for two things: Creation and restoration. You either want to curl up and read a book or sling paint on a canvas, both sides of the same coin.

Here's a few of my favorites. See the rest here: LINK

-Jake

Dusk Bunnies

From the Drawings Unit

The dusk bunnies come out at sunset. Can you spot all of them hidden throughout? There's 26 of them.

This is my 3rd winter in AZ since moving here in 2019 and while I love the sunshine, I miss those big snowy days we'd get in Utah and Connecticut. I think this piece is me working through those feelings.

I've been working on this on and off since December and it went through a handful of iterations before landing on a fox and a boy fishing. I knew it needed one more little element to make it special, and the idea of the dusk bunnies came to me. (Alison coined the name, brilliant!)

These little guys are like mini-abominable snowmen, the size of rabbits. They are curious fur-balls who come out at dusk, and are mostly harmless unless threatened. Here's a bunch of sketch explorations of them:

I made this into a print for my shop! It's available in three sizes and ships out immediately.

PATREON: Join now and see how I make illustrations like Dusk Bunnies from start to finish. Every week I show patrons the process of at least one drawing. At the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK

On Creative Capital

From the Inspirational Thought Unit

I like this quote from French author Gustave Flaubert:

“Be steady and well-ordered in your life so that you can be fierce and original in your work.”

There's another version of this quote that is a little more aggressive:

“Be regular and orderly in your life, so that you may be violent and original in your work.”

I assume he originally said this in French, and I'm having trouble tracking down its original text, but the meaning is preserved in both translations: It suggests that there’s costs to creativity and if you use it up on your day-to-day you’ll probably make your life harder and you’ll have nothing left to give to your creative work.

Being steady and well-ordered in life is a blessing to those people closest to you, and being fierce and original in your work is a blessing to people who read/watch/listen to your stuff.

-Jake

Chris Sanders' Allegory about Disney: The Big Bear Aircraft Company

From the Cultural Archives Concern

I had read this years ago and somehow forgot about it, but I think it's a remarkable animation artifact that sheds light on the eternal struggle between artists and executives.

This was submitted to a 1989 Disney Executive retreat where they would be discussing future plans for the company. Note: 1989 saw the release of The Little Mermaid, and both Beauty and Beast and Aladdin were in pre-production.

Sander's allegory compares Disney to an aircraft company and if you don't make better and better jets, the competition can easily scream past you. Sanders was worried that by continuing to make traditional fairytale movies they wouldn't be able to compete. And he was right. Disney had to evolve with the likes of Pixar, Dreamworks and Blue Sky pushing the boundaries of animated films...and that's why we started to see oddball films like Lilo and Stitch, Atlantis, and Treasure Planet. (Eventually Disney realized: why compete when you can own them?! And bought Pixar, Marvel, the Muppets, Lucasfilm, and 20th Century Fox, then shut down Blue Sky once they had the keys to the building).

ANYWAY: read Sanders full allegory here: LINK

Here's a nice follow up interview that he made with Cartoon Brew about it that gives the whole thing more context: LINK

(Thanks to friend of the newsletter Eliav for sending the link and reminding me of this!)

-Jake

The Honda White Fox Snowmobile

From the Office of Wheels

Saw this online recently: A cool Honda snowmobile that came out in the 70's. Looks like a G.I.Joe toy. Only 2-5 of these actually exist. Honda manufactured 200 of them, and had set up dealerships in the US to sell them, but safety concerns that someone would break their legs riding this thing caused them to recall the vehicles and they destroyed them.

It's a cool looking design though. Definitely some good inspiration for a space skimmer or something. Might us it in a Skull Chaser comic.

-Jake

New Years Pigs

From the Drawings Unit

I know we are two weeks into the new year and nearing the end of the shelf life of saying "Happy New Year," but I didn't get a chance to say it to you yet, so HAPPY NEW YEAR.

Did you know about new years pigs and gnomes? Apparently this was a big thing 100+ years ago (might still be, I don't know). In a lot of Northern European and Scandinavian traditions, pigs are a symbol of good luck and prosperity. I guess gnomes are also a part of the Christmas tradition in those northern lands and so you see a lot of gnome and pig Christmas/New Years Cards.

I thought I'd do my own this year...and I let the weirdness of the subject matter wash over me. Which resulted in me coming up with a pig wreath.

Alison and the kids gave it mixed reviews. So I didn't post it on IG, but I thought you'd like it.

Here's a bunch more pig and gnome cards I found online. There's more here LINK

PATREON: Join now and see how I make my illustrations from start to finish. Every week I show patrons the process of at least one drawing. At the end of the month some patrons get all my working files to learn from and pick apart. Sign up here: LINK